Monica Farnetti , teaches Italian literature at the University of Sassari.
"On your true likeness." In the language of poetry "likeness" is a key word, which in Petrarch and in almost all the tradition that descends from (ie in the Vulgate) means "image", "appearance", "appearance", "what that shows "," visible form "," sign outside ". If "semblance" stands for "image" and the like, Gaspara Print as many of her contemporaries in the case of an image sui generis, completely resignified be construed as a vibrant, tactile, eager, "open" some would say, aimed at presence rather than representation, ready to accommodate what / where is the image of him and not to part with it, tends to embody much more than to represent them. The "likeness" is therefore a matter of body, means the person, occupies the same position of the beloved, has nothing to do with the sound but it will be (the "semblance your true"), which activates the emotions ("That divine countenance / ch'ardir theme together and give me shoes") and making "company."
2. enjoy the presence
Paolo Francesconi, a psychoanalyst, a member of SLP, Bologna.
The feminine masquerade: a question of being. The feminine masquerade reveals a special relationship with the Other's desire, which is at the heart of femininity to the point of having led some psiconalisti post-Freudian, as Joan Riviere, to say that femininity itself is a masquerade. Freud had hit the female modesty a seduction strategy. Paradoxically, what the woman was presented as a deficit, a lack, was transformed into a more 'erotic. The evocation of something that lies behind the veil
does exist as an added value, while the fall of the curtain to expose the lack altogether. Lacan makes a step further, when advancing the mask of femininity is the vehicle of women's demand being the phallus, to be for the Other, the signifier of her desire. Here we have the relationship between masked and demand for love, which explains the maneuvers of seduction does not register the application to have, but that of being.
Wanda Tommasi, teaches philosophy at the University of Verona. Community Diotima.
Dress of women and looting. We will refer to the narratives of M. Duras (The Vice-Consul, The Lover) and I. Bachmann (Malina, three paths to the lake, Franza's case), showing how the assumption of conventional femininity, which is also expressed in some representation of themselves in front of others, with clothes and attitudes typically female, sometimes yields place, these authors, in a looting that left the woman on the edge of the human. I have especially in mind in this regard, the role of women in crazy Bachmann (Franza's case) and that of the beggar in Duras (The Vice-Consul), emblems of a female not dressed or dressed, but the rest appeared as abject.
Giovanna Giovanni, a psychoanalyst, a member of SLP, Milan.
A woman, a mother, between semblance and reality, deal with the many facets of contemporary and questions the so-called science of genetic reductionism, on the link woman / mother who touches the border between semblance and reality. Disamalgamare woman and mother, yes, but with some caution, since the dark and disturbing enjoyment of the body can turn to horror, just like in one another. Do not forget the contribution of Lacan in Seminar XX, where it says that the only attributes of women are maternal.
Alide Tassinari, a psychoanalyst, a member of SLP, Cesena.
love for a woman, will address the crucial issue of countenance and of his intimate involvement with the enjoyment of women, exploring the possibilities to make this enjoyment a privileged access to love. How to draw his likeness, with its tragicomic in the comedy side of the relationship between the sexes, may fail to love? And what kind of love? As the theory of difference has articulated this point? And as articulated in Psychoanalysis?
Rita Caccamo, teaches sociology at the University of Rome.
fashion between identity and seduction. will address the theme of clothing in relation to the imagination, the enhancement of the self, to seduction. The body and the personality of the subject of fashion - men or women - are at the center of a 'fundamental ambivalence: to be like (approval), and several other (differentiation) at the same time. Declined for women, this subject is to negotiate with him and with the Other, memberships, and singularity. Claim your unit, but lends itself to the fragment, its reduction in "pieces". From identity element, second skin, the clothing item - clothing, accessories, decorations - can be a fetish, with of its existence, a means of inorganic eros denied in its forms of reciprocity, in the encounter between the sexes.
